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Setting up a Template project with a few tweaks here and there could save you time in the future and increase your workflow. Because if you follow this tutorial, you should have to do everything just once and then hopefully your future production life will be easier.
This is an ideal scenario for the majority of us who use Logic Pro X in the same way and for the same kinds of music production, whenever we boot the software up to compose. So stick with us while we guide you through the process of setting up a project, tailoring it to suit you and your music, creating templates and speeding up your workflow. And if you are an experienced user, who knows, you might see Logic in a new light, and you might save time too.
Focus On — Your Audio Interface You will need a decent audio interface when recording with Logic and our tutorial helps you assign and set up a Template project for use with one.
You can get really simple ones that allow a couple of tracks to be recorded and played back, or complex multi input and output interfaces that allow entire band performances to be recorded into Logic for editing later. We will create a new Template file…. Select your audio input device and sample rate from the drop down menus on the left. Similarly you want the main outputs of Logic linked to the speakers that you have connected to the outputs of your interface.
All of this is included and you should only have to do this here very often it will already be set up for you. In this case we want this track to be our record input so have assigned it to 1 on the Saffire. In our case we simply have the mono input from a synth. Here they are shown as channels 1 and 2 out.
Our main inputs and outputs for our project are now set and our interface assigned. If we hit the mixer icon top left we can see our track and its Input is set to channel 1 on our interface. This tutorial is endorsed by Point Blank. You can study sound to picture on their Music Production Diploma courses, with pro industry tutors. Soundcore Motion Boom Plus review: Getting the party started just got a whole lot easier.
Free Resources for Logic Pro Producers :: Logitunes Blog.Logic Pro – Resources – Apple (AE)
And if you are an experienced user, who knows, you might see Logic in a new light, and you might save time too. Focus On — Your Audio Interface You will need a decent audio interface when recording with Logic and our tutorial helps you assign and set up a Template project for use with one.
You can get really simple ones that allow a couple of tracks to be recorded and played back, or complex multi input and output interfaces that allow entire band performances to be recorded into Logic for editing later. We will create a new Template file…. On the other hand, if you want the synth to, say, fade in and out over a longer period of time, that curve would need to be drawn in Track Automation mode.
If you want the depth of mixing control offered by a live drum recording session when working with acoustic drum samples, try selecting a Producer Kit. With these, a close mic channel is created for every drum, along with overhead, room and leakage channels.
Fine Tune, Pitch Drift, Vibrato amount and even per note Volume can all be adjusted here, depending on which corner of the note you drag. This turns the part into a regular sequence, with individual hits now represented as MIDI notes.
We can now easily edit the drum pattern. Step 3: We convert the MIDI region to audio using Bounce In Place, then select the last two hits, muting the rest, before adding a slow-down effect at the end. We mute the corresponding section of the MIDI. We also create a reversed audio file in the last beat of bar 4. I used to open a tempo app on my phone, tap in the tempo I wanted, then type it into logic. Get used to using multi-outs on instrument plugins.
The ability to process drums individually can be super powerful with drum instruments. You can really change how the drum kit sounds. Take the time to set up a preset. Experiment with EQ on the snare and bass drum. Listen to how it transforms the sound. This is one of the ways you can really start making your samples sound more realistic.
There are certain sounds that typically accompany specific styles of music. If we think of classic rock as an example — we know organ and mellotron are popular. Roland Cloud. Slate Digital. Sonic Academy. Sound Radix. Sugar Bytes. Synapse Audio Software. TAL Software. Universal Audio. Valhalla DSP. Vienna Symphonic Library. Xfer Records. XLN Audio. ADSR Sounds. Big Fish Audio. Carney Media Group Sounds. F9 Audio. Imperfect Samples. Sample Magic. Big Citi Loops.
Prime Loops. Producer Loops. Splice Sounds. The Loop Loft. Keith McMillen. Roger Linn Design. Studio Logic. Alesis MasterControl. AMS Neve Genesys. Apple Logic Remote. Frontier Design Group. Icon QCon Pro. Liine Lemur.
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